Katy Perry wore a gown printed with East Asian calligraphy to Sunday’s American Music Awards, which garnered her all kinds of comparisons to a “geisha.” HuffPo and Celebuzz called her look “geisha-inspired,” the SF Chronicle called it “glam geisha,” My Fashion Life put their thang down, flipped it and reversed it to “geisha glam,” and another site said the dress was in the style of “Memoirs of a Geisha.”
Only problem is, the Vivienne Westwood-designed gown Perry wore has nothing to do with geishas, and was actually “inspired” by a Chinese flower painting. The calligraphy on the dress Perry wore is Chinese, not Japanese. The dress is from Westwood’s Spring 2012 Gold Label collection, which drew from “Chinese calligraphy, Mao jackets, Berber dress, and 17th century corsets as influences.”
This isn’t the first time Katy Perry wore something Asian-looking that writers lazily labeled “geisha.” Back in August, Perry attended the VMAs carrying a parasol, dressed in an Atelier Versace cheongsam mini, which was also dubbed “geisha-inspired.” The cheongsam, however, is Chinese. Perry’s look was lifted directly from 1920′s-30′s Shanghai, a look immortalized later in the 20th century by home decor posters printed from vintage Chinese ads:
So, what, any women’s garb with Asian references is “geisha”? Or is it that even all Asian dresses–like people–look alike?
Filed under: Asians All Look Alike, Boobs, Fashion, Fashism, Geishas, Geishas Are Tired, Katy Perry, Katy Perry AMAs, Katy Perry American Music Awards, Katy Perry Geisha, Katy Perry Vivienne Westwood Gown, Katy Perry VMAs, Katy Perry's Boobs, Laziness, Mistasian Identity, White Geishas
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